Released 15 June 2012 on Lion Music
Now here we have a bit of a treat for all lovers of progressive rock. Written and led by the keyboard dazzle of Douglas Docker, the cunningly named Docker’s Guild sees a whole host of first class musicians involved in this, the first part of a series of albums. How do the following grab you? Vocalists John Payne (Asia), Goran Edman (ex Malmsteen, Karmakanic), Tony Mills (TNT) and Amanda Somerville (Avantasia, Epica), guitarists Guthrie Govan (Asia) and Jeff Watson (Night Ranger), bassist Tony Franklin (Blue Murder) and drummers Gregg Bissonette (David Lee Roth / Joe Satriani) and Magnus Jacobson (Miss Behavior). Not bad eh and fortunately the album sees good use of all amongst captivating compositions that have depth and soul.
The sound of The Mystic Technocracy results from the mixture of several music styles. Progressive rock is the main driving force with reference points in sound being Yes, ELP, Dream Theater and Genesis. Whilst the songwriting and vocal arrangements have an air of more traditional melodic rock and AOR acts, mostly Asia and Journey about them.
Couple this with more subtle and unusual influences from the likes of David Bowie (including a great cover of “Loving The Alien”) and Jean-Michel Jarre and you will start to see how this is a big sounding record.
The Mystic Technocracy is perhaps, to be expected, a concept album (or first part of). It is the fictional outcome of a very simple observation: for 4000 years man has tortured, murdered, waged warfare and committed genocide in the name of the same God worshiped by Christians, Jews and Muslims, the three monotheistic religions. It is not a story against religion, but it is a story about the madness of man when he falls under the influence of fanatical dogmatic faith. This religious premise has then been plugged into a science-fiction universe, in which religion was created by a silicon-based life form, the Mystic Technocracy, in order to control, manipulate and eventually destroy humanity.
Song wise the album contains complex multi-section suites, more straightforward rock songs or ballads, as well as more unusual instrumental or groove-oriented tracks.
Highlights are pretty much all over, and whilst it make take a few spins to fully take stock of all on offer there are many moments of instant gratification such as the driving rock of the title track “The Mystic Technocracy” home to chugging riffs, parping keyboards and big vocals. The 8 minute epic “Darwin’s Tears” showcases some of the more obscure influences mentioned but really works being a very compelling composition. “Judeo Christian Cosmogony” and the 11 minute 3 part-er “The Secret Of DNA” have everything plus the kitchen sink in them but are no worse off for it. Overall its compelling stuff with great performances from all involved.
Negatives? Not many, perhaps the guitars sound a little digitised being devoid of midrange but in a way this helps create a more “space age” quality to the music and is a small gripe.
Sonically the album is big, perhaps to be expected where keyboards (and variants of) make up a big part of the sonic landscape but its well mixed by Simon Hanhart (producer of Asia, Marillion and Arena) and mastered by Mike Lind (Dio, Talisman, Candlemass etc) so no complaints here either. The artwork inlay also promises to be a lush affair designed by the excellent Carl-Andre Beckston (aka monowasp).
Fans of any of the classic big prog names, or indeed newer variants ala Ayreon etc are urged to check this album out when released. A work of art is here with the emphasis firmly on songs and it promises to be a superb journey on future releases.
Rating – 94%