CONSORTIUM PROJECT V – SPECIES

Released 15th July 2011 on Lion Music

I must confess despite being a fan of Consortium Project’s mastermind/vocalist Ian Parry’s work with Elegy I have never until now heard a Consortium Project album. Now having heard “Species” I am kicking myself as this is a finely crafted slice of prog power metal of the highest calibre.

Ian Parry’s voice is undoubtedly one of the most distinctive in metal, none of your usual run of the mill metal vocals here folks, but a voice with power and depth, not to mention great projection and one that adds true drama to the compositions.

The music is equally grand, expertly crafted by Parry with a variety of musicians including guitarists Stephan Lill (Vanden Plas), Niels Vejlyt (Infinity Overture), Veith Offenbächer (Dawn of Destiny). Bass tracks are performed by Kris Gildenlöw (Pain of Salvation) and Jens Faber (Dawn of Destiny) whilst Casey Grillo (Kamelot) provides the magnificent drumming. To create contrast to Ian’s vocals we get a pair of female voices in Lene Petersen and Ani Lozanova who work well also. A fine supporting cast indeed and it seems Ian knows how to pick the right musician to support the framework of each track with all tracks working nicely as a cohesive unit.

Essentially this is the final instalment of the Consortium Project 5 part story which sees “Species” take mankind on a final epic journey into outer space met with dire consequences the world has never seen!

Musically CP-V is mainly about big riff orientated metal numbers over a variety of tempos with a pleasant aggressive streak running for the majority of tracks. This big musical push is then backed up by some truly infectious vocal melodies and strong chorus such as the delightfully swooping lines of “Life On Earth” and “The Worst Is Yet To Come” where images of the impending apocalypse are brought to life through Parry’s delivery.

“To The Earth & Back” is epic whilst the “Sirens” has a nice punchy commerciality about it where the rhythmic interplay of the riff builds nicely. “Pitch Black” is another scorched with a truly thunderous riff after the contagious chorus.

The delicate female vocals at the start of “Silence Calling” have an ethereal angelic quality to them that contrasts nicely with the tracks heavier middle before the commercial tint of the title track is another success. “Enemy Within” then lays to waste everything in its path with its brutal delivery that sees Parry adding to the fervour more so and this is another excellent number. The album then draws to a close with the strong bookend that is “Oracle” which serves as musically rich and melodic closer.

As my first taste of Consortium Project I am mightily impressed with the quality on offer from “Species”. The songwriting and performances are all first class and the album has an excitement about it from start to finish. All of which adds up to make this essential listening.

Rating – 95%

P.S. Lion Music will also be releasing remastered and expanded versions of the first four Consortium Project albums beginning later in 2011.

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